Not able to leave her in an unconscious state, he decides to carry her to a hotel, only to sleep on the floor, land up in the jail and even clean people she bathes in her puke in her sloshed condition, all on the same night only to get his 99 getting slapped sequence rolling the next morning.
 
She slaps him, drinks like a fish, abuses him, snores out loud in her sleep and behaves like a totally Goonda but our loser-hero is definitely besotted with her.

Mallika Sherawat is sizzling HAWT but makes bizarre requests like asking Shorey to ride a seatless bicycle to get her a flower from a garden, or listen to her stupid scripts and sing panegyrics for the same. And what is stranger is that Shorey meekly concedes to each of her requests. Do such men really exist and if yes, then where are they?

The film is not taut and the script lacks consistency shuttling from one thing to another. All is well in wonderland till in an abrupt moment Sherawat suddenly realises that she can’t let go off her past even though she feels that she loves Shorey and deserts him in Goa, where she forcibly takes him to celebrate their 100 day anniversary.

All this, only to turn Shorey into ace script writer that makes him an overnight millionaire who finally meets his lady love at the end and gets back together with her after waiting for her like a Majnu for two years.

Lots of buffoonery in the form of Sherawat’s enacted scripts, her whimsical behaviour and Shorey’s slavish disposition.

Talli, the song is good and that’s about it. You may be tempted to walk out half way through the movie after having endured enough non-sense from a film you’d expected to be a laugh riot.