Most Seductive Lingerie Looks Seen On-Screen
Undergarments hold a unique power in shaping our self-presentation, blending comfort, expression, and allure. In the photo gallery “Most Seductive Lingerie Looks Seen On-Screen,” we celebrate unforgettable lingerie moments that have captivated audiences. From Foxy Brown’s daring bra-holster to Sandra Dee’s enchanting cotton nightgown, these iconic looks showcase the seductive artistry of lingerie throughout cinematic history.
Empire Records, 1995
In the realm of awkward strip scenes, Liv Tyler’s portrayal of Corey stands out in the 1995 film Empire Records. Eager to lose her virginity to the notorious pop star Rex Manning, Corey seizes the moment during his lunch break at a record store signing. She unveils a red satin push-up bra and white frilly panties, confidently claiming she’s “old enough.” The striking contrast between the seductive lingerie—borrowed from her more experienced friend Gina—and her oversized pants symbolizes her inner turmoil. The scene takes a cringe-worthy turn when Rex, unfazed, unzips his trousers and jokingly asks if she enjoys blue cheese while shaking a bottle of salad dressing. This moment shatters Corey’s teenage fantasies of romance, prompting her to flee the room.
From Dusk Till Dawn, 1996
Salma Hayek embodies female sexuality in a powerful way, particularly in her role as Santanico Pandemonium in the 1996 crime horror film From Dusk Till Dawn. Her unforgettable performance features a seductive routine adorned with an elaborate feather headdress and a form-fitting bikini, complemented by a long, hissing snake slithering around her body. The scene intensifies as she stands over Quentin Tarantino’s character Richard, pouring beer down her leg and allowing him to drink the remnants from her poised toe. Despite her intense phobia of snakes, which nearly led her to decline the role, producer Robert Rodriguez convinced her that Madonna was interested in it, prompting Hayek to undergo two months of therapy before filming. Though her screen time is brief, her performance leaves a lasting impression, elevating what could have been a standard zombie thriller with one of the sexiest dance routines ever captured on film.
Foxy Brown, 1974
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Pam Grier takes center stage as the fierce Foxy Brown in the 1974 blaxploitation film of the same name. In a groundbreaking role, she avenges her murdered boyfriend by taking down the white supremacists responsible for his death, effectively redefining the portrayal of black women in Hollywood cinema. Embracing her femininity, Grier cleverly conceals her handgun in her afro and bra, transforming her character into an iconic symbol of sexuality and female empowerment.
Scarface, 1983
The opulent faux-Roman interiors, extravagant jacuzzi tub, and cocaine-fueled tirades in the cult classic Scarface create a lasting impression of protagonist Tony Montana, portrayed passionately by Al Pacino. However, Michelle Pfeiffer’s character Elvira is equally unforgettable, primarily due to her striking costumes rather than her dramatic performance.
Take, for instance, her stunning floor-length satin two-piece ensemble, featuring flared trousers and a flowing slip top in a luxurious gold hue that matches her sleek bobbed hair. Paired with heeled mules and a freshly mixed cocktail served in a cut crystal tumbler, Elvira embodies the essence of a lavish lifestyle. After all, it takes wealth to spend each day lounging in pajamas.
Blue Velvet, 1986
While the instances of nudity, drug use, and sexual subversion are often what viewers remember from David Lynch’s 1986 cult classic Blue Velvet, a particularly striking moment occurs when Jeffrey, caught snooping, hides in Dorothy's closet and watches her undress to her black lace underwear. In this scene, Dorothy stands unaware of her voyeur, fully exposed despite the minimal coverage of her scalloped bra and simple black panties. As Nicholas Rombes of The Blue Velvet Project observes, “the vulnerability of Dorothy at this moment—presenting her imperfect human beauty that enhances her allure—is perhaps just as shocking as the ensuing violence.”
Grease, 1978
The pajama party hosted by Sandy, Frenchy, Jan, Marty, and Rizzo in the 1978 classic Grease set the standard for countless imitations, showcasing the costume department's creativity in selecting each outfit for the scene. From Marty's striking red kimono, a gift from her culturally aware boyfriend Bobby (a marine stationed in Korea), to Sandra ‘lousy with virginity’ Dee's flowing white cotton nightgown—an enduring emblem of purity reminiscent of Desdemona—each costume reflects the character's essence perfectly. Meanwhile, rebellious Rizzo's oversized men's shirt conveniently transforms into an outfit when she decides to shimmy down the drainpipes for a ride with the T-Birds.
