
Ilaiyaraaja’s old song featuring Vijay resurfaces, sparking buzz over TVK debut. (Photo: ANI, Wiki)
As Ilaiyaraaja trends again, the reason is not a new song but a decades-old composition that has happened to land in Tamil Nadu’s fiery political climate, at a time when the veteran composer has released a song from the 1988 film Ithu Engal Neethi, featuring a boy actor Vijay. The timing, just days after the announcement of the Tamil Nadu election results, has generated plenty of speculation: With actor Vijay entering the political arena through the Tamilaga Vettri Kazhagam (TVK), the public is looking at the move as more than nostalgia and interrogating symbolism and intent, and the thin line between art and politics.
The song from Ithu Engal Neethi, directed by S. A. Chandrasekhar, made headlines again due to the lyrics, which roughly translate as “the nation is eagerly waiting with hope for a young boy”. It has been shared across social networks. In light of actor Vijay’s move to politics, the lyrics are being seen as a prophecy or political statement.
The song predates actor Vijay’s birth, but its timing has increased its relevance, making it something of a talking point in both cinema and political circuits.
No official indication from Ilaiyaraaja about any political purpose behind the song sharing. However, the timing is suspicious and many have interpreted it as a political signal to Vijay
Proponents say Ilaiyaraaja, Rajya Sabha nominee now, is being unfairly politicised for sharing his own work. Detractors say people like him are aware of the ramifications of sharing a post during election season
With the Tamilaga Vettri Kazhagam (TVK) making its entry, initial exit polls suggest the party is already denting the two-party rule in Tamil Nadu. TVK is gaining ground across caste and demographic lines and among youth and urban and first time voters
Some polls suggest TVK could be a game changer and play the role of a third force. The range is anything from a showy debut to becoming the single largest party . Vijay’s political ascent has been compared to M. G. Ramachandran and J. Jayalalithaa who successfully jumped from cinema to politics.
This controversy has brought back a familiar debate: Is there a way for art to remain apolitical in a politically charged atmosphere?
Ilaiyaraaja supporters argue that a song exists in its original creative context, not a political one; while others say that a cultural signifier resurfacing at a critical political moment invites interpretation.
And it shows how even a seemingly innocent act can become a politically charged one because of the celebrity, timing, and public narrative.
The nostalgic musical post has morphed into a multi-dimensional public discourse on cinema, politics, and public narrative. Intentional or not, the incident highlights Vijay’s increased political significance, and the increased scrutiny of people associated with him. As Tamil Nadu awaits election results, the Ilaiyaraja–Vijay moment shows a more general truth: In today’s ecosystem, even past art can influence public discourse on the future.
Sofia Babu Chacko is a journalist with over five years of experience reporting on Indian politics, crime, human rights, gender issues, and stories about marginalized communities. She believes journalism plays a crucial role in amplifying unheard voices and bringing attention to issues that truly matter. Sofia has contributed articles to The New Indian Express, Youth Ki Awaaz, and Maktoob Media. She is also a recipient of the 2025 Laadli Media Awards for gender sensitivity. Beyond the newsroom, she is a music enthusiast who enjoys singing. Connect with Sofia on X: https://x.com/SBCism
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