The title track from the film “Saiyaara,” which was co-composed by Tanishk Bagchi, has achieved the highly sought-after Number 1 spot on Spotify’s Global Viral chart, which is a first for Indian music. This record-breaking feat is the first time that a Bollywood song has attained such great achievement, outshining foreign giants Billie Eilish and Lady Gaga. broadcasting the news with superlatives of pride, composer Tanishk Bagchi, who co-wrote the track with Faheem Abdullah and Arslan Nizami, declared, “Indian music isn’t on the rise it’s already soaring. Saiyaara proves it.”
His words capture the euphoria and validation of several in the Indian music community because the song’s international appeal explodes myths regarding Bollywood melodies having a limited global outreach.
Saiyaara Breaks Barriers: A Global Soundwave
For many years, Indian film music has been the preferred beverage of Indian nationals both in India and abroad, but it has never been able to make it onto the mainstream international charts. The ascent of ‘Saiyaara’ signals a paradigm shift wherein racy melodies, evocative lyrics (by Irshad Kamil), and fresh voices (by Faheem Abdullah) became a weapon across linguistic and cultural barriers.
Virality surely owes a lot to the action on Instagram Reels and TikTok, where short, catchy snippets touched the hearts of the global public, urging them to explore the full song on streaming platforms. This bottom-up development, more grounded in audience participation than in traditional marketing, signals how the web can help overcome some of those fault lines.
The emotive appeal of the themes of love and longing that has surfaced from this song seems to resonate deeply with listeners everywhere across the globe, giving no credit to the centuries-old theory of the value of a song based solely on its birth.
Beyond Bollywood: The Future of Indian Music’s Global Footprint
Tanishk Bagchi’s confident statement “Indian music isn’t on the rise it’s already flying” holds strong credibility in the industry. It proves that there is increasing assurance among Indian composers and artists regarding their worldwide prospects. Indian music has been considered a niche genre for far too long, but ‘Saiyaara’s’ success on an international stage like Spotify turns this fact on its head. It’s not just about this one song; it’s a flag of hope for millions of independent musicians and music composers who dream of greater exposure.
There is a lot of hope for India’s effusive and yet dormant potential to create interest among people the world over. Saiyaara’s success might become the very key which would allow many more Indian songs to gain some essential momentum globally thereby allowing greater collaboration in return, thus causing Indian sounds to become an inseparable part of the mainstream global musical world. It’s a strong declaration that Indian music is not merely local but a force with global appeal, poised to occupy its place on the global platform.
A recent media graduate, Bhumi Vashisht is currently making a significant contribution as a committed content writer. She brings new ideas to the media sector and is an expert at creating strategic content and captivating tales, having working in the field from past four months.
