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Vivek Agnihotri Most Controversial Movies: From Bengal Files To Kashmir Files

Vivek Agnihotri is known for cheating cinema that pushes boundaries and sparks debates. From The Kashmir Files to The Bengal Files, his films often tackle sensitive historical and political topics, resulting in both acclaim and backlash. Whether it's addressing tragedies, questioning history, or challenging political ideologies, his work continues to ignite strong reactions across audiences.

Published By: Akriti Kaul
Published: September 5, 2025 14:21:57 IST

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Vivek Agnihotri is a filmmaker known for creating bold, thought provoking movies that often stir intense debates. His films delve into sensitive political, historical, and social issues, making him one of the most controversial directors in Indian cinema. From exposing hidden chapters of history to challenging mainstream narratives, Agnihotri’s storytelling often divides audiences, with some praising his courage while others criticize his approach. Movies like The Kashmir Files and The Bengal Files have not only achieved massive popularity but also ignited nationwide conversations. Here is a look at seven of his most controversial films and the debates they sparked.

The Kashmir Files: 

This blockbuster focused on the tragic exodus of Kashmiri Pandits from the Kashmir Valley in the 1990s. While it was praised for shedding light on a painful chapter of Indian history, it faced intense backlash for allegedly spreading hatred and having a strong political agenda. The movie created massive debates across the country and became one of the most talked-about films of the year.

The Bengal Files: 

Vivek Agnihotri’s most recent film revolves around the political and communal violence in Bengal during the 1940s. Even before its release, the film faced several backlash. A court petition was filed by the family of freedom fighter Gopal Mukherjee, accusing the film of distorting historical facts. The movie also faced hurdles with advance bookings, censorship issues overseas, and allegations of being suppressed by political powers, making it one of Agnihotri’s most controversial projects.

 The Tashkent Files: 

This political thriller explored the mysterious death of former Prime Minister Lal Bahadur Shastri. The film was praised by some for daring to question official narratives but was criticized for allegedly twisting facts and promoting conspiracy theories. Despite mixed reviews, it became a sleeper hit due to strong word-of-mouth and debates surrounding Shastri’s death.

Buddha In A Traffic Jam: 

This socio political drama addressed topics like corruption, naxalism, and academic politics. It was at the center of massive protests, especially at universities, where screenings were disrupted due to its political messaging. The film polarized audiences, with some calling it bold while others labeled it propaganda.

Hate Story: 

As the writer of this bold thriller, Vivek Agnihotri faced criticism for the movie’s explicit content. Hate Story sparked conversations about the limits of sexuality in Indian cinema. Though commercially successful, it was considered controversial for its portrayal of revenge and seduction.

Chocolate: 

This action thriller drew controversy for being heavily inspired by Hollywood films, especially The Usual Suspects. Critics accused the movie of plagiarism, and it became a talking point for the lack of originality in Bollywood at the time. While not politically charged, it still stirred debates within the film community.

The Delhi Files:

Announced as the third installment in Vivek Agnihotri’s “Files Trilogy,” this upcoming film has already generated buzz and controversy. Though the exact storyline hasn’t been revealed, it is expected to deal with another politically sensitive historical event. Many are anticipating debates and heated discussions even before its release, similar to his earlier films.

Conclusion

Vivek Agnihotri has built a reputation for making films that challenge mainstream narratives and spark nationwide debates. From The Kashmir Files to The Bengal Files, his movies often explore sensitive political and historical topics, leading to both admiration and criticism. While his storytelling has been praised for its boldness, it has also faced backlash for alleged biases and distortions. Love him or hate him, Agnihotri’s work undeniably pushes boundaries, forcing audiences to confront uncomfortable truths and engage in conversations about India’s past, present, and future. His films remain powerful catalysts for public discourse and societal reflection.

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